Tongue in Cheek

CMYK experiments in Screen Printing to try to create a feeling of meat.

These prints are all unique and available to purchase if you like fleshy prints.

The Divided Self Exhibition

Exhibition celebrating the work of Female Identifying artists, featuring works by me, Olivia Hicks, Beatrice Haines, Ione Rucquoi, Zoe Simon, Rachel Louise Brown, Sarah Gilliam, Sara Trillo, Laura Funmi Oyewale, Claire Undy and Jessie Jetpacks

CFPR Seminar - Wunderkammer exhibition

Recorded Seminar where I talk about my body of work ‘Wunderkammer’ exhibited in the Reelcases around UWE’s Bower Ashton Campus, as part of CFPR’s Methods of Making series.

Work in Progress

Creating work for HOME SWEET HOME.

HOME SWEET HOME - online exhibition

Home Sweet home is an online exhibition featuring an eclectic mix of artists whose practice naturally engages with the theme of The Domestic. The exhibition will exist predominantly on Instagram on the @rentedbythehour account and will run for just over 2 weeks featuring one
artists work per day. Direct access with photography and film is gained into the artists private homes where their autobiographical responses to lockdown will be recorded.
This subject matter to this exhibition was chosen due to the extra time everyone is spending at home as well as the repetitive language and actions we are being fed daily via the media/government; "Stay Home", "Lockdown" “Save Lives” etc and how this enters our consciousness as artists/human beings.

New Year, New Etching!

Ex Ovo Omnia ( It all begins with an egg)

In the Studio working on a new print for Woolwich Contemporary 2018

Many thanks to Assistant Director of the London Original Print Fair, Caroline Manganaro, for including me as one of your 'Ones to watch...'

Woolwich Contemporary Print Fair 2017

An Honest Woman, An Honest Man and Chickie Nubbins.

Review written about 'An Honest Woman', a piece I will be exhibiting at the Woolwich Print Fair in October. By the brilliant Sophie Hill, blogger at postcardwall.wordpress.com

Etchings often bring an essence of naturalist documentation to artwork, lead by their infinite capacity for detail, forged by the delicate line. It is this line that caresses objects so closely, focusing our attention on each component of Clarke’s compositions. Leading our eye thus, the subjects of her work gather a collective and poignant resonance, humming almost in their concentration of detail. This concentration is then spiked, tipped over to a raw seduction, as we realise the provocative subjects of her scenes. In An Honest Woman the intimacy of a shrouded clearing is scattered with haunting symbols that pinch the viewer’s gaze – nudity spilling out of open legs. A woman hangs, deadly still, though it is at the mercy of her own hands that she swings – curiously, from a large severed forearm with curling fingers – her feet digging into the soft flesh of an incomplete body. Smaller bodies are kept in the shadows of the foliage, slanting eyes caught in the flow and rush of earth as it cascades down to the pit of the painting, while a rat-like creature surveys the situation, clutching its jaw, its eye bright with a gleam. This scene, that scratches away at our imagination with descriptive and fantastically leading lines, is then calmed, soothed, by the placidly flat distant mountains.

I have a few pieces of work showing and for sale at the Woolwich Print Fair.

The show runs from Friday 20th October - Monday 23rd October 11 - 5pm. PV Friday at 6pm.

I will be exhibiting one of my prints at the Royal Academy Summer Exhibition this year. Look out for it! Its right above our heads.

I will be exhibiting my new ‘Womb with a View’ etchings as part of the City&Guilds of London Art School stand from 11th - 14th Feb as part of the Works on Paper Fair 2015. I will also be doing practical demonstrations in Intaglio with the public.